Best 15 New TV Shows of 2023

It feels a little weird to talk about the best new TV shows of 2023 when it’s July 2024. But once again, I’m a little behind in getting this out. However, I am still three weeks ahead of when I put out last year’s list.

In fact, I would like to go back and revise my top 15 lists for the last decade where I’ve been doing this. But for now, let’s just focus on 2023, which started incredibly strong. Most of my top series were released before my birthday in April.

There was that one weekend in early April where Netflix dropped Beef, and then that Sunday night’s episode of Succession was the one where you know who died off screen. That was an incredible weekend of television, one that could go unrivaled for some time.

As you’ll see in my list, limited series are really starting to take over these days. So many shows have recently ended or will end with their next season. It’s getting harder to sustain something great for three or more seasons, and sometimes they bring a limited series back when maybe it should have stayed a limited series.

But I can complain about Shogun next summer. Let’s get on with the 2023 list.

Note: Limited series and anime are included; all documentary series are excluded. I try my best to limit spoilers (but no promises).

15. Scavengers Reign (Max)

If you want an animated sci-fi series with a colorful, unique world and a progressively engrossing plot, Scavengers Reign will hit the spot. Don’t go in expecting anything like Aliens or Star Wars. This is more like if Primal was turned into a futuristic sci-fi series about exploring a new planet. Psychedelic drug users may also find a lot of value in this one, which was already cancelled but bought by Netflix with an uncertain future.

I don’t think the voice acting and overall plot are strong enough to move it into all-time status, but it’s worth the time.

14. The Curse (Showtime)

My best advice is if you want to watch The Curse, please make sure you’ve watched some of Nathan Fielder’s other work before like Nathan for You and The Rehearsal. If you already have and you don’t like his schtick, then you probably will hate this show since he acts very similar in it. However, he also shows more acting range than ever before, and Emma Stone is in her prime right now and does a great job as his wife.

Benny Safdie (Uncut Gems) is the third lead, and you can literally play a game each episode trying to decide which of the main characters is the worst person on the show. Your answer will likely change too as we learn more about this couple and their phony personas for their HGTV shows about flipping houses.

The finale is insane, and unless you’ve been spoiled on it already, you’ll never guess how it ends. But this is definitely one for Nathan Fielder fans.

13. The Fall of the House of Usher (Netflix)

If you’ve watched Mike Flanagan’s other horror series for Netflix like The Haunting of Hill House and Midnight Mass, then you should have a good idea of what to expect here. I’d rank those two series ahead of this one, but this is still very good and arguably the darkest series yet.

All six children of a pharmaceutical company CEO die in a 2-week span. That’s not a spoiler. You find out through the course of the season how and why they died.

It does a great job of handling the flashbacks and different timelines. The aftermath of the party scene in episode 2 is traumatizing.

12. Pluto (Netflix)

It was a banner year for Netflix anime, and Pluto was one of the best as a sci-fi murder mystery. If you like anime like Psycho Pass and Ghost in the Shell: Stand Alone Complex, you’ll dig this for sure. A Blade Runner fan should also like it.

I won’t give away spoilers, but it follows a detective investigating a string of murders of robots and humans. Even the dubbed version is quality work.

11. Gen V (Amazon Prime)

I’ll avoid the Season 4 discourse of The Boys, especially after it dropped the worst episode in franchise history on the 4th of July. But Gen V is a worthy spin-off with a lot of new, younger characters and a fresh take on the same universe of The Boys.

Yes, you can expect the same over-the-top violence and a ridiculous CGI penis scene. But if you like The Boys, chances are you’ve watched this already.

10. Silo (Apple TV+)

Who would have guessed that Apple TV+ would become the top streaming service for sci-fi series? Silo was another strong entry led by Rebecca Ferguson’s character navigating a dystopian, underground community where people aren’t supposed to go to the surface unless they want to die a few steps after being exposed to the atmosphere.

Of course, there’s a big mystery and conspiracy over the truth of this silo and what’s outside. It’s a great show and the setting gives it a video game feel a la BioShock or Fallout Shelter.

Good to see Season 2 is on the way, because too often shows like this get cancelled.

9. Shrinking (Apple TV+)

My kind of dramedy with Jason Segel as a grieving therapist (his wife died in a car accident) who starts to take an active role in his patient’s lives. Perfectly cast. It bounces between his work and his life at home trying to raise his daughter alone.

It’s a quick binge with episodes of the perfect length. It’s also great to see Harrison Ford get to do some real acting in his old age instead of being forced to play Han Solo or Indiana Jones again.

8. A Small Light (National Geographic)

    You don’t expect such quality from National Geographic, but the show was also available quickly on Hulu and Disney+ where I watched it. This is about the family who helped hide Anne Frank’s family during World War II.

    Yes, you already know the ending is going to be sad, but it’s a well-paced WWII story. Could they have just made a 2-hour movie about Miep Gies? Sure, but I think the limited series approach did a good job of showing just how long they had to endure the horror of the war, and how tragic it was that they lost so much of the Frank family in the later stages of it.

    7. One Piece (Netflix)

    This really could have been a disaster given the numerous misses already on Netflix’s resume for making live-action adaptations of popular anime series. There’s also the fact that I have never watched the One Piece anime because I’m always afraid of my OCD completionist qualities taking over and having to finish over 1,000 episodes of a show I may not actually enjoy that much.

    So, there was a lot working against this for me. But I went into the first episode with an open mind and found it surprisingly enjoyable. Good cast, the action scenes didn’t look cheap, and the story kept my attention the whole way. By the end, I was looking forward to Season 2.

    Still not planning to start the anime anytime soon.

    6. Poker Face (Peacock)

    See, Peacock isn’t entirely useless. A “case of the week” show format usually isn’t my vibe, but they pull it off so well with great special guests and Natasha Lyonne doing her Columbo thing every episode.

    It’s a throwback but also feels modern and high budget, and the pilot gets you interested immediately with Lyonne on the run from some casino gangsters that accounts for the serialized part of the plot.

    Bring on Season 2.

    5. Jury Duty (Freevee)

    Huge points for originality and creativity, and it’s coming from Freevee? Even more reason to celebrate this unlikely success of a scripted show about a jury trial where everyone is an actor except for one guy named Ronald.

    Assuming he truly was being himself and was not clued in on what this was, it’s an excellent comedy experiment with James Marsden stealing the show as he plays a fictionalized version of himself.

    But Ronald makes the show work, because if this guy was an asshole, the show could have been a disaster. Any future attempts at a story like this could go really poorly if they pick the wrong person, which is why I still have some suspicions that he really had no idea this was all scripted and planned.

    It’s far from the funniest show you’ll ever see, but it is very entertaining, and you have to give some bonus points for creativity these days. This shit could have been the Night Court reboot instead.

    4. Daisy Jones & the Six (Amazon Prime)

    I picked a good weekend to binge this last year as I was going through some shit at the time. They basically take a 1970s rock band in the vein of Fleetwood Mac and make a documentary 20 years later about their success and downfall, complete with a love affair angle between the two lead singers of the band (Riley Keough and Sam Claflin).

    It’s not going to work for everyone, but it clicked for me. Definitely helps to be a fan of that era of rock bands and to enjoy music documentaries. I also find myself still listening to one of the songs the actors recorded for the show called “Look at Us Now (Honeycomb)” where you can instantly hear the Fleetwood Mac influence.

    3. Blue Eye Samurai (Netflix)

    I would call Blue Eye Samurai the best Netflix anime offering, except it’s not really a Japanese anime series. This is a beautiful mixture of 2D and 3D animation with scenes that look as cinematic as something you’d see in Kill Bill.

    In this tale of revenge, you get excellent storytelling, top-notch voice acting, and memorable fight sequences. This should go down as one of the best animated series ever made.

    2. The Last of Us (HBO)

    I’m ashamed to admit I bought The Last of Us many years ago for PlayStation 3 and have yet to play it. So, I went into this one cold about the plot, but the pilot instantly grabbed me. I knew the girl he was with in the game wasn’t his daughter, but why didn’t I connect the dots that something horrible was going to happen to his real daughter in the first episode? What a start.

    While I could not give you the comparison to the game, I’m not sure it matters. What they did stood on its own as damn good television. I was pumped each week to watch this, and I even enjoyed the “one-off” episodes with the gay couple and the flashback to the mall with Ellie’s friend. Not to mention the other moments that shocked me, someone oblivious to the game, like what happened to Tess and the young kid and father they met up with later.

    Hopefully the day will come when I get around to playing the game, but for a video game adaptation to lead to this good of a season of TV, I’m optimistic about what we could see down the road.

    Something tells me not many of these adaptations will be as well done as this season was.

    1. Beef (Netflix)

    If you saw me tweeting about Beef in April 2023, you probably knew I’d put this as the No. 1 new show of the year. When it came out, all I knew about it was that it was a road rage story with Steven Yeun. I didn’t really know anything about Ali Wong at the time, but she was great as Amy in this. Glad they cleaned up at the award shows for this.

    I was basically dialed in from the first episode. A dark dramedy? That’s my genre. Loved the way they escalated the story to reach that absurd climax in the ninth episode, one of the craziest I’ve seen in any show, before calming things down for a memorable finale. The supporting cast was great, especially Danny’s brother and Amy’s husband.

    The music also put it over the top for me. Right in the first episode, they find a way to use Hoobastank (“The Reason”) as a needle drop going to the end credits. Later on you get Incubus (“Drive”), The Offspring (“Self Esteem”), System of a Down (“Lonely Day”), Bush (“Machinehead”), Keane (“Somewhere Only We Know”), and my favorite woman singer of all time in Björk (“All Is Full of Love”) to end the penultimate episode.

    Then the final scene couldn’t have gone any better when I heard “Mayonaise” start, my favorite Smashing Pumpkins song. The way the light in the room flashes to sync up with the drums, then getting to the line with “June” just before the credits show the name of the actress who played her daughter June… It’s perfect. I get goosebumps every time like when I watch the final scene of The Dark Knight.

    The script, the acting, the music, it all came together for me quickly. I felt I was watching something special in the third episode when Danny’s character goes to a church and starts crying during an excellent performance of “O Come to the Altar” by a church band. I’m not a religious person at all, but I find myself watching this video on YouTube frequently to this day as I really enjoy the way the song sounds here. Elevation Worship is the group best known for this song, but the extra guitars and dueling male-female vocals they use in Beef gives it a 1990s Midwest emo sound that just works best for me.

    Hands down, one of my favorite limited series of all time. Of course, they have announced a Season 2, so it looks like they’ll be turning this into an anthology series. That could be good, but I hope they leave the story of Danny and Amy alone.

    This was already perfection.

    Honorable Mentions

    • Carol & the End of the World: Carol’s voice can be annoying, but this animated dramedy about the apocalypse is worth the watch.
    • The Diplomat: Punchy dialogue between Keri Russell and Rufus Sewell lightens up meaty political plots.
    • Fellow Travelers: Well done gay love story that spans decades with Matt Bomer.
    • Lessons in Chemistry: Bill Pullman’s son can act, and I was certainly blown away by his character in this – just not as blown away as he was by…Just watch it.
    • A Murder at the End of the World – Some feel the ending is predictable, but I enjoyed the show and setting.
    • My Adventures with Superman: I actually didn’t watch the animated Superman series in the 90s, but I’ve been enjoying this one and S1 is better than S2 (so far).
    • The Night Agent: Very solid binge for fans of 24.
    • Rabbit Hole: In my best Jack Bauer voice, DAMNIT! They cancelled a good one here. Kiefer should be pissed at busted ass Paramount for not continuing this twisty thriller.
    • Special Ops: Lioness – Taylor Sheridan is singlehandedly keeping Paramount alive. Another good offering here with a CIA operative show.
    • Tiny Beautiful Things: Kathryn Hahn carries this dramedy about motherhood.

     So, that’s where I’m at with 2023. Here is a little table look at my picks for 2018-2023, and I’ll have to eventually get something updated and expanded for past years.

    As for 2024, I feel like I’ve been keeping up well with the new shows halfway through the year. Really enjoyed some of them already like Dark Matter and Baby Reindeer.

    I’m sure it’ll still take me into next July to get that 2024 list out. But as long as I get it out…

    My Top 250 Films of All Time vs. IMDb

    IMDb has another alternative to its top 250 film list. I finally took my own list and ranked my top 250 films of all time. Be sure to follow me on Letterboxd if you use that site.

    Three months ago, I posted my own top 500 list to celebrate my 5,000th film watched, but at the time I only ranked the top 100 films. Today I took a stab at expanding that to rank the top 250 with 251-500 still ranked alphabetically for the time being.

    I’ve slowed my pace of watching in the last three months due to football season, but there was one new entry to the list in that time. I watched The Shop on Main Street (1965) on HBO Max and thought it was incredible with one of the saddest endings ever. I placed that at #248 on my list.

    I thought it would be interesting to compare my top 250 to the current IMDb 250, of which I have seen 245 titles.

    A total of 128 titles (or just over half) on IMDb also made my top 250. In the two tables below I show where those 128 titles rank for me compared to IMDb, starting with the titles I was most favorable to.

    Seven Samurai (#19) and The Apartment (#118) are the only two films I have in the exact same spot as IMDb. Overall, there are 21 films I’m within 10 positions of either way. Apparently I’m lower on Forrest Gump (-202) than most, which makes perfect sense to me.

    Finally, here are the 122 titles in my top 250 that IMDb does not have, some of which I’m very surprised to see are gone. Many of these used to be on that list.

    Perhaps when I do the next update to rank 251-500, I can look at where those films rank relative to the IMDb list.

    Finally, in case you were curious, these are the only five I have yet to see on the IMDb top 250. I’m still confused how Hamilton even counts as a film.

    Scott Kacsmar: My Top 500 Films of All Time

    For lovers of film and round numbers, there’s really no milestone like watching your 5,000th film. That’s the milestone I hit recently on the day I turned 34 and 1/3 years old. If you grew up years before having the internet or a smartphone by your side, you probably hit 1,000 movies on the strength of your VHS collection and many trips to the rental stores and local theaters.

    The chase to 5,000? That’s been much different, aided so much by the DVR and streaming services. Thanks to the internet, it’s never been easier to track down obscure movies and watch at your own pace.

    Technology has also made it so simple to track your progress. You can always see what I’ve watched and rated on my IMDb and Letterboxd accounts. Things have come a long way from the red pen and notebook I used in elementary school to track and rate the movies I watched. That set the groundwork for a spreadsheet I maintain to this day, which helped me create my accounts on those film pages.

    Thanks to decades of tracking this stuff, it wasn’t that difficult for me to create a list of my 500 favorite films of all time. Take note of the word “favorite” there rather than “best” or “greatest.” This is my personal preference, so the only person who should be getting mad at me for a certain film placement is myself.

    So how did I get things down to a top 500?

    Documentaries (sorry, Grizzly Man) and shorts were excluded. My starting list included about 650 titles that I rated an 8/10 on IMDb (or 4/5 on Letterboxd). One thing I did not do was look at the nearly 1,900 titles I rated a 7/10 (3.5/5), which is easily my most commonly used rating. Should some of those films probably have been rated higher and could make my top 500? I have no doubt, but maybe during the next pandemic I can take a look at those.

    Much like when ranking the top 100 NFL players of all time, I have a really hard time comparing movies from different genres. It’s not unlike trying to compare a quarterback to a linebacker. While I could give you my top 10 war or top 10 sci-fi movies, the mixing of genres makes things difficult.

    To compromise, I only ranked my top 100 films. Everything from 101-500 is in alphabetical order. I had roughly 100 films that I rated a 9/10 (4.5/5), because I have always been strict on ratings, so that helped make the decision to stop at 100 much easier. If you ever looked at my ratings online before, then you know I’ve only given my #1 favorite film a perfect score, so the start of the list won’t be a surprise.

    My Top 500 Favorite Films of All Time

    1. Pulp Fiction, 1994
    2. GoodFellas, 1990
    3. Memories of Murder, 2003
    4. Terminator 2: Judgment Day, 1991
    5. The Dark Knight, 2008
    6. The Silence of the Lambs, 1991
    7. The Shawshank Redemption, 1994
    8. Vertigo, 1958
    9. Aliens, 1986
    10. Dancer in the Dark, 2000
    11. One Flew Over the Cuckoo’s Nest, 1975
    12. Se7en, 1995
    13. The Empire Strikes Back, 1980
    14. (500) Days of Summer, 2009
    15. Lost in Translation, 2003
    16. Double Indemnity, 1944
    17. The Usual Suspects, 1995
    18. Saving Private Ryan, 1998
    19. Seven Samurai, 1954
    20. Oldboy, 2003
    21. Shaun of the Dead, 2004
    22. The Shining, 1980
    23. Twelve Monkeys, 1995
    24. The Perks of Being a Wallflower, 2012
    25. Glengarry Glen Ross, 1992
    26. Die Hard, 1988
    27. American Beauty, 1999
    28. Kill Bill: Vol. 1, 2003
    29. The Godfather: Part II, 1974
    30. The Godfather, 1972
    31. The Lord of the Rings: The Two Towers, 2002
    32. The Lord of the Rings: The Return of the King, 2003
    33. The Lord of the Rings: The Fellowship of the Ring, 2001
    34. City of God, 2002
    35. American History X, 1998
    36. Come and See, 1985
    37. Memento, 2000
    38. No Country for Old Men, 2007
    39. Requiem for a Dream, 2000
    40. Star Wars, 1977
    41. Taxi Driver, 1976
    42. Inglourious Basterds, 2009
    43. The Terminator, 1984
    44. Alien, 1979
    45. Casino, 1995
    46. Jurassic Park, 1993
    47. Psycho, 1960
    48. Raging Bull, 1980
    49. Fight Club, 1999
    50. Schindler’s List, 1993
    51. 12 Angry Men, 1957
    52. 21 Grams, 2003
    53. A Clockwork Orange, 1971
    54. Batman Begins, 2005
    55. Downfall, 2004
    56. L.A. Confidential, 1997
    57. Parasite, 2019
    58. The Exorcist, 1973
    59. The Prestige, 2006
    60. The Green Mile, 1999
    61. There Will Be Blood, 2007
    62. Django Unchained, 2012
    63. Apocalypse Now, 1979
    64. Grosse Pointe Blank, 1997
    65. Oasis, 2002
    66. Rear Window, 1954
    67. Rushmore, 1998
    68. The Departed, 2006
    69. Zodiac, 2007
    70. American Psycho, 2000
    71. The Elephant Man, 1980
    72. Threads, 1984
    73. The Good, the Bad and the Ugly, 1966
    74. Ikiru, 1952
    75. Harakiri, 1962
    76. Big Fish, 2003
    77. Reservoir Dogs, 1992
    78. Shutter Island, 2010
    79. Sin City, 2005
    80. Strangers on a Train, 1951
    81. Arsenic and Old Lace, 1944
    82. Life Is Beautiful, 1997
    83. Ran, 1985
    84. Return of the Jedi, 1983
    85. Fargo, 1996
    86. Mulholland Drive, 2001
    87. Election, 1999
    88. Whiplash, 2014
    89. Inception, 2010
    90. The Matrix, 1999
    91. M, 1931
    92. Little Children, 2006
    93. Sunset Boulevard, 1950
    94. Magnolia, 1999
    95. Batman, 1989
    96. Million Dollar Baby, 2004
    97. Snatch, 2000
    98. The Man Who Came to Dinner, 1942
    99. Rope, 1948
    100. The Diving Bell and the Butterfly, 2007

    For the full 500, see my list on Letterboxd here.

    In closing, I must say it’s fitting that I hit this milestone during the COVID-19 pandemic. When March started, I was going through the incredible FX series Nip/Tuck for the first time. Right after I finished that my focus shifted back to films, which I have neglected in favor of TV series for years now as TV looks to be the superior format for storytelling these days.

    I’ve always said that I could catch up on films if there was ever a period where new ones just stopped being made for a year or two. Well, COVID is about the closest we’re going to get to that reality. According to Letterboxd, I’ve watched 456 films this year and that’s mostly from March through August.

    As 2020 has reminded us daily, tomorrow is never guaranteed. Do I have another 5,000 films in me to get to 10,000? That’s too hard to say, which is why I respect the 5,000 milestone.

    There’s also the sobering fact that I have likely consumed more great films in 34 years than I will for the rest of my life, even if I live to a very old age. In a way, this was unavoidable. There are over 100 years of cinema to draw from right now, and as you have seen, I’ve dug deep into it already. I could probably create a watchlist of 2,500 films from the lists I collect of great films, but many of those are obscure and hard to find. It would take a lot of quality future releases to get over 10,000 films.

    If I’m fortunate enough to look back on this list in 20-30 years, I’ll be curious to see how many titles in my top 100 change. No matter the amount, I will keep watching. I will keep hunting for gems. I will keep hoping to be entertained or moved while I still can.